Each of us wrote each other’s songs, but we had it worked out with what each other could do, and Jordan literally nailed exactly how I wanted him to do it. JEREMY: He wrote all his parts with me in mind and I wrote all his parts with him in mind. It pretty much just sparked from that conversation.ĭid each of you write separate lyrics for the verses on which you sing? I don’t remember which one of us said it first, but it was like, “We should try to make this as collaborative as possible,” and through the art and through the vocals and stuff like that, so both of us were on the exact same page about it. Jordan and I, who’s the singer of La Dispute, we were playing together in Chicago and we had talked a long time ago about doing a split together, but he and I were just talking it out and getting kind of excited about the idea. JEREMY: I wouldn’t say there was necessarily a singular person. On the split with La Dispute, whose idea was it to contribute vocals to each other’s songs? Following a stressful drive from New York (characterized by unbearable traffic, a loss of t-shirts, and Trash Talk’s cancellation as a result of a leg injury), vocalist Jeremy Bolm graciously sat down with me in New Haven, Connecticut. They’ve also been quite busy this year, touring repeatedly and still finding the time to write at any given opportunity, which has resulted in two successive EPs and a new full-length in the works. The band’s debut full-length strips hardcore down to its abrasive roots, while intelligently introspective lyrics provide a relatable outlet to increasingly dedicated fans. Touché Amoré’s popularity has ascended considerably since the release of …To the Beat of a Dead Horse, and with good reason.
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